Gabriel Moreno is a Gibraltarian poet and singer songwriter who has been performing for the past 20 years in Gibrlatar, Peru, Italy, Spain, USA and the United Kingdom. His folk songs are both poetic and political, mining the same rich seams as Leonard Cohen, Fabrizio D’Andre and Georges Brassens. In 2015 he joined up with The Quivering Poets, Basha Bartz, Pablo Campos, Pablo Yupton, Adam Beattie and Sergio Contreras to create a wonderful new alt-folk band that push his poetry and song to new musical territories. Gabriel also hosts the legendary folk institution ‘The Lantern Society’, running for the last ten years at London’s Betsey Trotwood venue.
Scottish singer-songwriter Adam Beattie has released four albums of his own songs. Having roots in Scottish folk music, as well as a lifelong interest in old time jazz, blues and other folk styles, his genre-spanning music is tied together by his warmly soulful, distinctive voice and poetically narrative lyrics. A consumate performer, Beattie’s shows are as captivating with voice and guitar as they are in full band incarnation. He has performed to audiences across the UK and Europe alongside musicians such as the legendary Bert Jansch, Jolie Holland and Sean Hayes as well as collaborating on guitar and bass with Brooke Sharkey, Scott Hirsch and Michael Chapman. In addition, Beattie is part of 12-piece folk supergroup Band of Burns, contributing interpretations of Robert Burns songs as well as original compositions. In 2018 Band of Burns headlined London’s Union Chapel and played Celtic Connections in Glasgow on Burns Night at The Old Fruitmarket as part of their UK tour. Adam is currently working on a new album of original songs.
Tickets £7 adv HERE
New Roots is committed to promoting events that shine a light on up and coming talent in the UK alt-folk scene. It’s committed to providing artists with an environment that is sympathetic to what they do, giving musicians the respect they and their music deserves – for this reason we ask for no talking and no use of mobile phones while artists are performing. Our music policy comes from the kitchen table, the roots of public performance- intimate, acoustic based, high quality musicianship with as little interference between performer and listener as possible.